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The DPP 4 eGuide (PDF)
BIRDS AS ART is proud to announce the release of The Photographers’ Guide to Canon Digital Photo Professional 4.5 by Arash Hazeghi and Arthur Morris.
Artie first went to DPP because he was not happy with the colors he was getting with 1D X and 5D III images from ACR (Adobe Camera Raw). Though less than intuitive, he found it fast and easy to use once he mastered the basics. He collaborated with Arash Hazeghi on the first DPP RAW Conversion Guide. Do understand that the DPP RAW Conversion Guide details the use of various iterations of DPP 3. He calls those the DPP 3.whatever versions. The latest version is DPP 220.127.116.11.
Some time ago Canon released DPP 4.0, completely and utterly new and different from DPP 3. When it was introduced DPP 4 worked only EOS-1D X, EOS-5D Mark III, and EOS-6D images and that is still the case today. It will not work with RAW files from older Canon digital camera bodies. Both authors are hoping that a new version of DPP 4 that will convert EOS-7D Mark II images will be released soon.
In the meantime, DPP 4 performs superbly with his 1D X and 5D III images. When he first opened DPP 4 he felt as if he were in the cockpit of a Boeing 747 and was being asked to fly it. There were so many tabs and buttons and controls that he simply closed the program. He immediately called Arash and asked him if he wanted to work together on a DPP 4 guide. After 100s of hours of work the guide is now ready to teach you to conveniently and easily use DPP 4 to create the finest possible image files from your 1D X, 5D III, and 6D image files. Basically, Arash sent artie a sophisticated outline that he re-crafted into a clear, concise, easily understood, and easy to follow how-to guide written in the BAA style. Arash created all of the charts, diagrams, and graphics.
His charts with recommendations for both Chrominance and Luminance Noise Reduction values for each of the 3 covered cameras at various ISO settings are alone worth the price of the book. He spent many dozens of hours experimenting with high ISO RAW files and shares his findings with you in the DPP 4 Guide. Folks will surely want to create some sort of easily accessible quick reference on their laptops and home computers.
DPP offers a host of great features some but not all of which are reminiscent of ACR. These include the following: Multi-image display, the extremely valuable Before/after Comparison layout, Highlight/shadow warnings, White Balance, and the eight RAW Conversion tabs that include sliders for Brightness, Highlights, Shadows, Contrast, Hue-Saturation, Color Tone, Sharpness, Noise Reduction, HSL (Hue/Saturation/Luminance), Lens Corrections, and Digital Lens Optimizer among others. We teach you how to best utilize each of those and many more. We share our slightly different DPP workflows and dozens of tips that will simply make your life easier. Arash uses DPP4′s rating system for choosing his keepers while artie continues to rely on BreezeBrowser Pro for that. DPP offers a variety of sorting filters. We explain all of the options. In addition, we teach you how to set your preferences and how to arrange your workspace for the greatest efficiency.
Both authors firmly believe that the manufacturer’s conversion algorithms will always out-perform 2nd party software when it comes to preserving image quality, fine detail, and accurate color rendition.
Thanks to lots of hard work by Arash Hazeghi, the DPP 4 RAW Conversion Guide was updated in June 2016. There were quite a few changes in the basic set-up and in the preferences in the latest version, 18.104.22.168 and Arash covered those in fine fashion. Most importantly, the Chrominance and Luminance NR value tables have been updated to include the 5DS (R) and the 1D X Mark II.
NOTE: DPP now contains the code for the 7D MK II, 5D MK IV and other new cameras
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